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ARTIST'S BIO

I believe that everything is connected. Plant life, water life, humanity, and the rest. There is a connection between the choices I make and the ones I don't. I am connected to the earth and the beings that dwell upon it. This philosophy is not only reflected in my images but in the work I do to support a sustainable community in my town, my state and my planet as a whole.

As a professional artist, I enjoy the texture and hands on technique of woodcarving, the play of light on stained glass projects, the freedom of creating paper mandalas, the intellectual challenge of writing and the solitude of the darkroom. My art is greatly influenced by the "Dharma Art" concept of Chogyam Trungpa, "What We Ache For" by Oriah Mountain Dreamer and "The Artist's Way" by Julia Cameron.

My photographs are influenced by Christopher Burkett, Imogen Cunningham and Edward Weston. My images have been included in several corporate art collections, purchased by established art collectors, have won awards and have been exhibited in New York and Slovenia.

I am discovering the use of chiaroscuro to create plasticity in my two dimensional work with subtle changes in light, value, mass and texture. I want to create art that gives the viewer the desire to come closer and feel compelled to touch the artwork. My ongoing challenge is to create work that ultimately has a sense of its own lifeforce.

I use my own meditation practice to influence my work and keep me focused on how spirit can enlighten others through art. Since I am an independent student of philosophy and native cultures, I use the concepts I have learned as I approach my work. I attempt to allow the work to evolve on its own, showing me the way, while teaching me about myself and what the world needs from me.

Read Clackamas Review story

EDUCATION

Current, Ongoing part time study, Visual Arts and Philosophy

1988, Bachelor of Science, Textiles & Related Arts, Minor in Business California State University, Northridge

GALLERIES

2004-2006, Gallery 7126, Sellwood OR

CORPORATE ART COLLECTIONS

Union Bank of California, Melvin Mark
Lockheed Martin Corporation
Canby Telephone Association
Sustainable Northwest
Gordon Sondland, Aspen Imperial
First American Title Company, Vancouver, Washington

EXHIBITIONS / PUBLISHING

Solo Exhibits
2004, Various images, Windhorse, OR

Invitational Exhibits
2002, "Interpreting Landscape", Fulton Street Gallery, New York
2001, First Place Award, Professional Artist Category, Wallowa County Festival of Arts, Joseph, OR
2001, Christmas Exhibition, Art on Paper, Slovenia

Group Exhibitions
2005, "Oregon: The Sea", Gallery 7126
2005, "Oregon: The Land", Gallery 7126
2002, Beaverton Arts Commission, Annual Juried Visual Art Show
2002, First & Second Place Winner, O Scale West Railroad Photo Contest
2001, "Americana", Beaverton Arts Commission, Beaverton, OR City Hall
1999, Honorable Mention Award, “All College Photo Competition”, Mt. Hood Community College, Fireside Gallery Exhibition
1998, American Institute of Architects, Gallery Exhibition, “Architecture of Portland Oregon”

Publishing
2004, Clackamas Review, Article, "Photographer brings her 'Dharma' to Milwaukie Main Street"
2002, Fourth Place Winner, National Photo Contest, Model Railroader Magazine
2000, Full page feature advertisement, Sustainable Organizations & Practices and Programs initiated by Oregon Governor John Kitzhaber, The Oregonian Newspaper
1999, Featured Photographer, Perceptions Art Magazine

ADDITIONAL WORK EXPERIENCE

1997-2005, Owner, Art Consulting Firm, Antahr Glen Images.
1998-2000, Visual Arts Department, Photography Program - Mt Hood Community College [MHCC]. Managed darkroom operations & assisted students in the basics of photography including lighting and darkroom technique.
1998-Present, Guest lecturer, Marylhurst University, Interior Design, "Taking Images of Models & Artwork For The Portfolio"
2000, Teaching Assistant, Color Photography I, Alexis Pike, MFA
2000, Adjunct Faculty, Continuing Education, MHCC, "The Home Darkroom"